跳到主要內容
:::

張即之及其大字 Zhang Jizhi and His Large Script

Feedback
Views
10 times
Download
3 times
Bookmark
0 times
Publication Year:
2011 / 3
Volume/Issue:
28
Author:
傅申
Publication:
Other Articles in the Same Issue

製作真境:重估〈清院本清明上河圖〉在雍正朝畫院之畫史意義 Producing a Realm of Truth: Reexamining the Art-Historical Significance of the Qing Court Version of Up the River During Qingming at the Yongzheng Painting Academy
論十七世紀卜彌格鳳梨圖像及鳳梨圖像在歐洲之流傳 The Pineapple Images by Michael Boym and the Circulation of Pineapple Images in Europe in the 17th century
八怪之外-丁有煜其人及其畫像 Besides The Eight Eccentrics of Yangzhou : Ding Youyu and His Portrait
三亮同心說-陳洪綬贈周亮工二畫試析 The Bond between the Three Liangs: A Thematic Analysis of Two Chen Hongshou Paintings for Zhou Lianggong
南宋時期的出版市場與流通空間─從科舉用書及醫藥方書的出版談起 The Market of Publishing and the Circulation Area in the Southern Song Period: A Study on Publishing of Books for Imperial Examination and Treatises of Medicine
從御製詩看乾隆皇帝典藏的汝窯 A Look at the Qianlong Emperor's Collection of Ru Porcelain from His Poetry
串建歷史記憶形塑家族傳承─以樓鑰及其族人的書畫文物蒐藏與書籍刊刻為例 Interconnection Historical Memory;Shaping a Clan Tradition: Lou Yue and his Kinsmen's Art Collection and Publishing
張即之及其大字 Zhang Jizhi and His Large Script
《滿文老檔》芻議 Discussions on the Characteristics of Manchu Old Archives
中華衛藏:清仁宗西巡五臺山研究 Making Tibet inside the Frontier: On the Last Western Tour to Wutai Mountain of Emperor Jiaqing
more
Other Articles by the Same Author

無權限瀏覽

篩選條件