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NPM Research Quarterly 2016 No.34
故宮學術季刊34期

朱髹增華:明初(1368-1435) 官用剔紅器及其相關意涵 Coating with Vermillion for Luxurious Ornament: Early Ming (1368-1435) Official Carved Red Lacquerware and Related Symbolic Meanings

詹鎮鵬

朱髹增華:明初(1368-1435) 官用剔紅器及其相關意涵 Coating with Vermillion for Luxurious Ornament: Early Ming (1368-1435) Official Carved Red Lacquerware and Related Symbolic Meanings

作者詹鎮鵬

故宮學術季刊34期

山巔上的雄鹿、猛虎與野山羊:馬家塬馬車草原裝飾的來源與傳播途徑 Stags, Tigers and Ibexes in the Mountains: The Origins and Transmission of Steppe Patterns Seen on Chariots Found at Majiayuan in hangjiachuan, Gansu

吳曉筠

山巔上的雄鹿、猛虎與野山羊:馬家塬馬車草原裝飾的來源與傳播途徑 Stags, Tigers and Ibexes in the Mountains: The Origins and Transmission of Steppe Patterns Seen on Chariots Found at Majiayuan in hangjiachuan, Gansu

作者吳曉筠

故宮學術季刊34期

印度棉布與中國—以十六、七世紀為中心 Indian Cotton Goods in 16th-17th-Century China

陳國棟

印度棉布與中國—以十六、七世紀為中心 Indian Cotton Goods in 16th-17th-Century China

作者陳國棟

故宮學術季刊34期

追蹤王英明《曆體略》:日本兩本順治三年重刻本考 Chasing Wang Yingming's Li Ti Lue : On Two Japanese Rare Copies Printed in 1646

徐光台

追蹤王英明《曆體略》:日本兩本順治三年重刻本考 Chasing Wang Yingming's Li Ti Lue : On Two Japanese Rare Copies Printed in 1646

作者徐光台

故宮學術季刊34期

「自是鬼工手,能傳仙客情」:乾隆朝宮廷的象牙「仙工」 From the Hands of Spirits, Conveying the Quality of Immortals: Ivory “Immortal Works” from the Qianlong Court

施靜菲

「自是鬼工手,能傳仙客情」:乾隆朝宮廷的象牙「仙工」 From the Hands of Spirits, Conveying the Quality of Immortals: Ivory “Immortal Works” from the Qianlong Court

作者施靜菲

故宮學術季刊34期

朝鮮王朝海外知識的形成與累積—以《輿地圖‧朝鮮日本琉球國圖》為例 The Formation and Accumulation of Joseon's Overseas Knowledge: Focusing on the Map of Joseon, Japan and Ryukyu in Yuditu

沈玉慧

朝鮮王朝海外知識的形成與累積—以《輿地圖‧朝鮮日本琉球國圖》為例 The Formation and Accumulation of Joseon's Overseas Knowledge: Focusing on the Map of Joseon, Japan and Ryukyu in Yuditu

作者沈玉慧

故宮學術季刊34期

柏林收藏的紫光閣功臣像及其相關作品新論 New Discoveries of the General Portraits and Related Works in the Berlin Collection

王靜靈

柏林收藏的紫光閣功臣像及其相關作品新論 New Discoveries of the General Portraits and Related Works in the Berlin Collection

作者王靜靈

故宮學術季刊34期

丁觀鵬的摹古繪畫與乾隆院畫新風格 New Approach in Court Painting in Qianlong Period-Case Study of Ding Guan-Pong

林煥盛

丁觀鵬的摹古繪畫與乾隆院畫新風格 New Approach in Court Painting in Qianlong Period-Case Study of Ding Guan-Pong

作者林煥盛

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