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NPM Monthly of Chinese Art
2024 ( 498 - 490 )
No. 498
No. 497
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2023 ( 489 - 478 )
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2022 ( 477 - 466 )
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2021 ( 465 - 454 )
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2020 ( 453 - 442 )
No. 453
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NPM Research Quarterly
2024 ( 42 - 41 )
Vol. 42 No. 1
Vol. 41 No. 4
Vol. 41 No. 3
2023 ( 41 - 40 )
Vol. 41 No. 2
Vol. 41 No. 1
Vol. 40 No. 4
Vol. 40 No. 3
2022 ( 40 - 39 )
Vol. 40 No. 2
Vol. 40 No. 1
Vol. 39 No. 4
Vol. 39 No. 3
2021 ( 39 - 38 )
Vol. 39 No. 2
Vol. 39 No. 1
Vol. 38 No. 4
Vol. 38 No. 3
2020 ( 38 - 37 )
Vol. 38 No. 2
Vol. 38 No. 1
Vol. 37 No. 4
Vol. 37 No. 3
Vol. 37 No. 2
Vol. 37 No. 1
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NPM Monthly of Chinese Art 2019 ( 434 期)
NPM Monthly of Chinese Art
2024
2023
2022
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Title
Author
站在歷史軸線上眺望未來
主編
幽默笑談博物館經驗-漫畫家筆下的博物館與觀眾
林慧嫻
博物館作為文化樞紐-機會與效益
鄭邦彥
面向觀眾-巴黎賽奴奇博物館館長易凱談博物館收藏與定位
編輯部採訪
巴黎市立賽努奇亞洲藝術博物館-趙無極在巴黎的第一個舞臺
李怡安
動物的過去與未來-動物藝想-故宮新媒體曁藝術展
高于鈞
從可親近性談博物館傳統的未來-以「故宮亞洲藝術節-新加坡月」活動為例
鄭莉蓉
博物館館藏文物攝影著作權保護
吳重銘
張大千寫像縱橫談
劉芳如
前瞻書畫鑑賞家周勱夫-從張大千〈廬山圖〉與院藏六件書畫談起
何炎泉
壽而康-院藏醫藥圖書文物特展
劉世珣
延壽之方.端坐亦可動-明代文人周履靖《赤鳳髓》與坐式「八段錦」
許媛婷